Tips From The Contest Director:Hendrix said that judging is based on a series of writing components and not just story."When we judge a screenplay, we're look at a range of elements, everything from story to structure, character, dialogue, pace, execution, and overall writing," he said. "It's more than just having a good story. You have to write it in the most filmic way possible. Make it a page turner and keep it lean."Asked what other advice he would give to novice writers, Hendrix said that making sure their work had no spelling, punctuation and grammatical errors was very important to the process.""I can't stress enough how important it is for writers to make sure their work is error free," he said. "Nothing is more off-putting than reading a good screenplay that is riddled with mistakes. Think about it. You're reading a great story, visualising what is there on the page, and you're suddenly confronted with an error. What does the brain automatically do? It focuses on the error and instantly you're out of the story. In a screenplay you can't afford to lose the reader. You need to keep the reader constantly engaged.""Plus it makes you look like an amateur. A professional has pride in his work and knows even one simple error can ruin the experience for a potential producer, investor, or anyone else reading a screenplay. My number one rule is NO ERRORS!"He said another area writers should work on was to keep their writing as lean as possible. Strip it back to the bare bones."Screenwriting is not like book writing. It's a type of shorthand, so you have to show what is happening with minimal words." This means knowing how to craft your sentences so that they are just descriptive and emotive enough to give the reader the visual you desire, without overwriting. Less is more in many instances.Pim Hendrix Bio:Hendrix has one Australian feature film credit, Liquid Bridge, starring Ryan Kwanten, and a host of television writing and script editing credits, including Heartbreak High, Breakers, and Sweat. He wrote a large slate of feature film screenplays while based in LA, and currently has one being pushed towards production with 2016 Academy Award-nominated producer, Paul Kewley, attached. He also worked as a freelance script consultant, and was employed by the Screenwriting Faculty of the Academy of Arts University in San Francisco to analyze and grade student scripts. |
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